Emraan Hashmi Says India Is “Not Pro-Divorce” Amidst His Film’s Focus on Relationships

[tanjuman]

Bollywood actor Emraan Hashmi, speaking ahead of his upcoming courtroom drama Haq, emphasised that India is fundamentally a “marriage-first” society and not inherently supportive of divorce. He highlighted how many marriages falter when arguments begin, and noted that in some cases, men initiate divorce for convenience while women are left to navigate financial insecurity alone.

Hashmi pointed out that the journey toward justice for divorced women remains complex and under-recognised, referencing the landmark Mohd. Ahmed Khan v. Shah Bano Begum case as a turning point in India’s dialogue around marital rights and dignity. He added that while the legal framework exists, societal attitudes still favour preserving the institution of marriage.

The actor stressed that in his portrayal for Haq, he aimed to present the issues without passing judgement — drawing attention to women’s rights, marital fairness and the dignity of individuals caught in the folds of tradition and law. His comments reflect the film’s underlying message on equality and social justice.

[Manisha Kundal]

Emraan Hashmi’s remarks offer a realistic reflection of India’s cultural stance on marriage and divorce. His acknowledgment that India remains a “marriage-first” society underscores the deep-rooted social pressure to sustain relationships, even when they become unjust or unequal. By referencing the Shah Bano case, he reminds audiences of the enduring struggle for women’s legal and financial rights. Through Haq, Hashmi appears to invite a broader discussion on balancing tradition with individual dignity. His nuanced perspective—neither moralising nor dismissive—adds depth to ongoing conversations about gender justice, legal reform, and the evolving concept of marriage in contemporary India.

[anuradha]

Emraan Hashmi’s statement really sheds light on an important truth about Indian society — we still see marriage as sacred, often at the cost of personal happiness or fairness. His take on the challenges divorced women face and the reference to the Shah Bano case show how deeply rooted gender and social biases still are. It’s good to see a mainstream actor using his platform and film like Haq to highlight such sensitive issues with empathy and without judgment.